Here we go again (sorry for the late notice!) – Tonight at the basement, neuschlaufen take to the stage again. This time supporting Juffage.
Should be fun (again)
After a long (long, long) while I’ve started doing a bit of music again. Initially re-inspired by Robert Hayler (over at Radio Free Midwich), I’m almost up and running again.
Anyway, two tracks over at SoundCloud:
Craig and I were chatting on new year’s eve, bemoaning the fact that we haven’t felt particularly musically-creative of late. So we decided that we’d do something together. I felt that a more loose, improvised thing would be good to do (in the past, my live performances have always had a certain improvised nature to them – tracks are broken down into their component parts, fed into some sort of sequencer and then ‘mashed up’ live).
So anyway, after two rehearsals (which ended up being pretty different in their musical output), we have our first gig.
March 14th, 9pm -> 10pm Thomas’s Bar (near York Library). We have a slot at BoomChik, a regular night put on by some friends of ours.
Excellent. Let’s see what happens ‘eh?
… how many people who are currently bleating about their photographs being misappropriated from flickr are/were quite happy downloading music without paying for it?
Just in case you’re a last.fm user, just a note to say that I’ve uploaded the 2003 release ‘Available from Namke Communications’ (originally released on Leeds’ Fencing Flatworm label) up to namke communications’ last.fm page – also available there is the 2003 single ‘ice-9’
Let me know what you think – leave comments 😉
Hooray! DRM is dead
I’ve just come back from my local camera club (‘York photographic society’) where we had an ‘exhibition’ – actually a couple of CD-roms of prizewinning entries to a couple of competitions. The first was the FIAP: " FIAP 23rd Colour Slide Biennial 2004". Now, Ok, this is a few years old now but I thought it might be interesting.
Well, kind of wrong. During a 34 minute show, with each image being on the screen for 4-5 seconds, I think that there were two photographs which I considered good. The rest were bog standard postcard images, or just plain bad (i.e. horizons which were 3 degrees out of level, verticals which weren’t etc. Y’know, basic technical stuff).
It was interesting only because of the – to my mind – staggeringly low-quality.
Then there was the something like ‘the tropical photographic competition’ – run out of Florida apparently. This time the show was 30 minutes of ‘creative photography’ from 2007.
You know when you first play with Photoshop? You load in a picture and apply the ‘watercolour’ filter? Or perhaps the ‘posterize’ filter. Perhaps you’re really avant-garde and use edge-detect. You look, and say ‘hey wow’, and then you get over it?
Apparently not. I reckon about 80% of the pictures had been posterized, or watercoloured, or had edge detection applied (or turned into an oil painting). Of those that weren’t, the rest had had a really neat ‘page turn’ effect added. Cool! Or perhaps ‘selective colouring’ had been used. Woo! Way to go. For those photographers with more time on their hands, why not motion blur the background?
In short, I was not impressed.
I had a discussion with another member of the club afterward and he basically said that if you enter competitions, you enter to win; and to win you submit pictures which you know the judges will like. And that means you look at what has done well in the past, and recreate it.
So, it seems to be ‘a renowned prize-winning photographer’ you need to lose all shreds of creativity, and just follow the herd.
That’s not for me. I’ll still enter the competitions, but I won’t be upset when I don’t win – who knows, maybe one day I might even get some useful feedback.
This is identical to the stuff which has annoyed me about music creation over the past few years; everyone seems to think that slapping a fistful of samples together over a beat which sounds kind-of-like-something-that’s-in-the-charts constitutes writing a track. Worse still, this gets perpetuated and soon all of the creativity has been squeezed out of music (the same applies to so-called manufactured bands – a couple of safe covers, a number one single and then it’s back to the dole queue for you my lad).
If it’s any consolation I now feel sufficiently fired up that I might even start doing some more music (that, of course, no-one will like).
Sorry about the rant 😉
ps: with regard to photoshop. I have no problem with it per se, but it does annoy me when people print out their latest abomination and cheerfully remark that they wouldn’t be able to repeat the picture since they ‘were just messing about’. That’s not art, that’s mindless button-pushing. A monkey could do that (an infinite number of monkeys would be able to do rather better I fear)
Over the next week or so I will jumping onto the bandwagon currently being driven by Radiohead (but following on the heels of such net-label luminaries as Kikapu, Hippocamp, and phonocake), and will be making some of my music available for free download from this site. Higher-quality versions of the EPs will still be available on CDr (at a price of course).
Enjoy! (And let me know what you think…)
I’ve started selling up some of my accumulated clutter in order to buy some stuff I actually want. My list (currently) is:
Of course, this is all going to take some time, and may require the shedding of a lot of stuff…
So far, I have sold a bunch of old BBC Magazines; next up is one of my BBC micros (c. £50), (probably) my Marlin Sidewinder Guitar (c.£35), and a whole load of NMEs etc.
eBay here I come 🙂 (again)
My creative side has been gradually becoming more and more bipolar:
On one side, I love new technology – whether it be digital video captured from a camcorder; pure computer graphics created in Blender/Quartz Composer; or simply digital stills caught from my PowerShot; or on the audio side perhaps some new softsynths or plugin effects running within Logic.
On the other side, is the retro – I’ve owned a bunch of analogue/vintage synthesisers and drum machines for ages, and I still occasionally pick up my guitar; however the latest retro-fad I’ve been looking at is visual; super8 filming and 35mm still photography.